Member Publications

Rachel Dwyer and Jerry Pinto, eds. 2011. Beyond The Boundaries Of Bollywood: The Many Forms Of Hindi Cinema. Oxford University Press.

ISBN-10: 019806926X; ISBN-13: 978-0198069263;320 pages

Link:  http://www.oup.com/us/catalog/general/subject/FilmMediaPerformingArts/FilmStudies/?view=usa&ci=9780198069263

Monumental Matters: The Power, Subjectivity, And Space Of India’s Mughal Architecture

Santhi Kavuri-Bauer

Duke University Press, 2011. 232 pages.

ISBN-10: 0822349221
ISBN-13: 978-0822349228

http://www.dukeupress.edu/Catalog/ViewProduct.php?productid=15284

FROM LAṄKĀ EASTWARDS; THE RĀMĀYAṆA IN THE LITERATURE AND VISUAL ARTS OF INDONESIA

Edited by Andrea Acri, Helen Creese and Arlo Griffiths.

Series: Verhandelingen 247
Leiden 2011
ISBN: 978 90 6718 384 0

The volume, published by KITLV Press, is available in both traditional and digital form. The digital book can be downloaded as a .pdf file via Open Access:

http://www.kitlv.nl/book/show/1314
http://www.oapen.org/search?identifier=399317

SULTANS OF THE SOUTH: ARTS OF INDIA'S DECCAN COURTS, 1323-1687

Edited by Navina Najat Haidar and Marika Sardar

Book: Sultans of the South: Arts of India's Deccan Courts, 1323-1687, edited by Navina Najat Haidar and Marika Sardar (New York: Metropolitan Museum of Art, 2011). This book, dedicated to the unique artistic output of the Deccan, is the result of a symposium held at the Metropolitan Museum of Art in 2008. Updating prior research in this field, the essays in this volume respond to and challenge earlier perceptions of Deccani art by bringing to light previously unpublished paintings, investigating new works of literature, identifying otherwise unattributed carpets and textiles (including several in the Metropolitan Museum), and supplying fresh interpretations of little studied architectural monuments. Special features of the book are the illustration of all thirty-four paintings from a 16th-century copy of the poem the Pem Nem, and new photographs by Amit Pasricha of the Ibrahim Rauza in Bijapur, with the first full transcription and translation of the tomb’s inscriptions.